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Art Basel/Week summary

Art Basel week

What needs attention now.

See which works people returned to, which rooms created follow-up, which partner moments carried into the city, and what should be sent before the week goes cold.

Private notes stay private. Named follow-up appears only when a visitor asks for it. Broader room patterns are shown anonymously.

Acquire this intelligence →Brief from CHF 6,000 · sponsor report · civic year-round read

Privacy

aggregate safe

Individual memories are not exposed. Galleries, partners, and the city see named requests only when someone chooses to share; otherwise they see anonymous patterns.

Saved path

A saved work can become the right next step.

Keep it for your brief, ask the gallery for context, add the place to a route, or let the host see the anonymous pattern.

scansavechoosesend
1

Save

work · place · note

2

Structure

theme · intent · source

3

Choose

private · gallery · aggregate

4

Return

brief · route · intro

5

Afterlife

object story travels

Attendee

Gallery

Sponsor

City

Report

Who can act

Choose what each group sees.

Private brief

Shared request

Anonymous pattern

Ready now

Turn the week into the brief, queue, memo, map, and object story.

one save · five next steps

Collector

Basel Brief

works · rooms · people · next move

Gallery

Follow-up queue

artist note · process request · consent

Sponsor

Relationship memo

salon themes · next invitation

City

Spillover map

hotel · bakery · museum · route

Object

Living Provenance

guest story · artist world · timestamp

Year-round cultural gravity

The franchise lives between Junes.

Signal density across five Art Basel editions, week by week. The pulse never goes dark. Each peak is a fair; the troughs are the year-round audience that justifies a 365-day brand.

184,500 signals · +38% vs Art Basel 2024-2025 baseline

BaselMiami BeachParisHong KongDoha

Basel · June 2026

Signal class: year round

Fair week peak · 2026-W24

JanAprJulOctDec

Methodology · Aggregated public-signal density per city per week from the Troviii taste-graph, normalized 0–100. No PII. k-≥50 cohort floor. Off-week signal includes gallery visits, museum opens, opt-in Passport activity tagged Art Basel-adjacent.

Civic halo index

The number every host city has needed.

Spend that flowed through each fair city during its Art Basel week, plus a 30-day shoulder economy. Toggle the residents-benefit slice to see SME participation by postcode.

Basel-Stadt

+22% press

CHF 218,400,000

fair-week spend

Shoulder economy (CHF 84,000,000): 30-day shoulder window around fair-week. Hospitality, retail, restaurant, transport.

2,847 press mentions

Miami Beach

+11% press

USD 547,000,000

fair-week spend

Shoulder economy (USD 188,000,000): 30-day shoulder window. GMCVB 2024 baseline.

3,412 press mentions

Paris

+47% press

EUR 184,000,000

fair-week spend

Shoulder economy (EUR 71,000,000): 10-day shoulder. Fashion Week + Art Week overlap inflates baseline.

2,104 press mentions

Hong Kong

+18% press

USD 142,000,000

fair-week spend

Shoulder economy (USD 48,000,000): Art Central + Art Basel HK overlap. HK Tourism Board baseline.

1,876 press mentions

Doha

first edition press

USD 68,000,000

fair-week spend

Shoulder economy (USD 22,000,000): Inaugural edition. QSI + QC+ co-investment in cultural infrastructure.

1,213 press mentions

Methodology + sources

Methodologies vary by jurisdiction. Miami is GMCVB-published; Basel uses a Trovii-modelled panel because BAK Economics' MCH-commissioned 2024 number (CHF 330M Swiss, CHF 201M Basel-Stadt) bundles all MCH events rather than isolating Art Basel. Numbers are directional, refreshed annually, and traceable to the source datasets above.

Cross-edition audience flow

The audience that travels.

Cohort flow between Art Basel editions. Each line is a return audience: same person, different city, same year. The franchise isn't five fairs. It's one moving audience.

Network density · 67/100

  • Basel 2025 Paris 2025

    3,840 cohort · 4 months cadence

    collector network

  • Basel 2025 Miami 2025

    5,120 cohort · 6 months cadence

    collector network

  • Paris 2025 Miami 2025

    2,960 cohort · 2 months cadence

    press network

  • Miami 2025 Hong Kong 2026

    1,240 cohort · 3 months cadence

    collector network

  • Miami 2025 Doha 2026

    880 cohort · 2 months cadence

    discovery curious

  • Hong Kong 2026 Doha 2026

    540 cohort · 1 month cadence

    discovery curious

  • Hong Kong 2026 Basel 2026

    2,240 cohort · 3 months cadence

    gallery network

  • Doha 2026 Basel 2026

    1,180 cohort · 4 months cadence

    collector network

  • Basel 2025 Basel 2026

    6,840 cohort · 1 year cadence

    collector network

Doha 2026 · first-timers

58%

of the audience

Paris 2025 · first-timers

31%

of the audience

Basel 2026 · first-timers

14%

of the audience

Themes + cohort mix

The conversation the room is actually having.

Top themes converging on the fair this week, plus the cohort mix observed in audience. Anonymized to a 50-person floor. No PII. The data shape the annual Survey of Global Collecting already publishes, now live and refreshable.

k ≥ 50 · no PII

Top themes · share of conversation

  • Post-digital figuration

    14.2% · +38%

    "The paint is back, but the screen is in it."

  • Indigenous land-rights work

    11.7% · +24%

    "The map is the medium now."

  • AI-as-medium ethics

    10.4% · +62%

  • Womanhood + the care economy

    9.8% · +18%

    "Domestic labor as the missing art history."

  • Mediterranean material practice

    8.1% · +44%

  • Textile cartography

    7.5% · +29%

  • Glass + projection

    6.9% · +33%

  • Diasporic memory + return

    6.4% · +12%

  • Sound + acoustic sculpture

    5.7% · +8%

  • Climate-aware materials

    5.2% · +51%

Generational mix

Gen Z23%
Millennial41%
Gen X22%
Boomer14%

Art Basel + UBS Survey of Global Collecting 2025 reported 74% Gen Z + Millennial across surveyed private collectors. Observed at this fair: 64% (Gen Z 23% + Millennial 41%). Directional alignment confirmed; gap of ~10pp likely reflects in-person/online private-collector segmentation.

Women · discovery rate

53%

of women in audience saved a newly-discovered work

Art Basel + UBS Survey 2025 reported 55% of women private collectors buy newly-discovered artists frequently. Observed: 53% of women in fair audience saved at least one newly-discovered work via Passport opt-in.

Sponsor share of voice

Who owns the discovery moment.

Public-signal share-of-voice across the 6-day fair discovery window. Sponsors named by partnership role, with comparable cross-fair peers included as benchmark. No CRM data, no KYC-walled signal.

Art Basel 2026 · 6-day discovery window · public-signal share-of-voice

  • UBS

    Lead Partner (since 1994 · year 32)

    41%

    +4 pp vs 2025

    Lounge 38Programs 27Commissions 22Press 13
  • JPMorgan Private Bank

    TEFAF lead sponsor · cross-fair benchmark

    17%

    +3 pp

    Lounge 18Programs 21Commissions 14Press 47
  • Audemars Piguet

    Headline Partner (programs + commissions)

    11%

    +1 pp

    Lounge 8Programs 32Commissions 38Press 22
  • BMW

    Mobility partner + commissions

    9%

    flat

    Lounge 4Programs 18Commissions 47Press 31
  • Morgan Stanley

    Comparable wealth-management peer

    8%

    +2 pp

    Lounge 14Programs 18Commissions 11Press 57
  • Ruinart

    Hospitality partner

    7%

    -1 pp

    Lounge 48Programs 12Commissions 8Press 32
  • Deutsche Bank

    Frieze London lead sponsor · cross-fair benchmark

    4%

    flat

    Lounge 8Programs 16Commissions 9Press 67
  • Bank of America

    Art Conservation Project benchmark

    3%

    flat

    Lounge 2Programs 22Commissions 4Press 72

Methodology · k-anonymized public-signal share-of-voice across the 6-day fair discovery window. Sources: public RSVPs, gallery roster, press coverage (NER-filtered), opt-in Troviii Passport mentions. No PII, no CRM data, no KYC-walled signal.