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ORI · DESIGN CANVAS · v0.3

Worlds you can live in.

A single paragraph of fiction, opened into every place, object, ritual and person inside it. The primitive Trovii captures, the surface Vivere returns.

3 ARTBOARDS · 1 PRIMITIVE
SCENE → ROOM → DOORWAY
§ 1 · WORLDS YOU CAN LIVE IN

The apartment on rue d'Italie.

One paragraph from Sins of the Father — the room where Walter and Anne-Sophie meet for the last time — opened into every place, object, ritual and person inside it.

01 · THE APARTMENT ON RUE D'ITALIE · 1380 × 920
2.4 · the scene unfolded

The apartment on rue d'Italie.

PASSAGE
p. 213, ¶ 4

She came up the three flights in the dark, the way she had as a girl, and he was waiting at the table by the window with the Caran d'Ache uncapped beside the unsigned page. The silk scarf she had brought from En Soie was still folded in her pocket. He poured the Dôle 2019 without speaking. Outside, the Bellevue was lit room by room.

ReadStandStayShopMeet5 VERBS LIVE IN THIS PARAGRAPH
Every underlined fragment is a doorway. The system has already resolved each one — to a place you can sleep tonight, an object that arrives by Friday, a person you can write to, or a ritual you can perform.
stand · stay

Places


Bellevue Palace
Bern · suite 412
Bellevue Palace, Bern
The lit window, room by room.
STAY
Stay · CHF 480 / night
Rue d'Italie 17
Geneva · 3rd floor
Rue d'Italie, 3rd floor
The walk-up. Public access first Sunday.
STAND
Stand · €0
En Soie, Strehlgasse
Where the scarf was bought.
STAND
Stand · CHF 0
shop

Objects


Caran d'Ache 849
black, uncapped
Caran d'Ache 849
The pen on the table.
SHOP
Shop · CHF 36
En Soie silk scarf
folded, pocket
En Soie silk, 'maquis'
Folded in her pocket.
SHOP
Shop · CHF 240
Dôle, Domaine du Mont d'Or
The 2019 he poured.
SHOP
Shop · CHF 38
The unsigned page
A scan of the original draft.
READ
Read · free
perform

Rituals


Pour without speaking
evening · dôle · 2 glasses
The silent pour
Pour the Dôle. Don't speak. Light the room behind you, last.
DO
Perform · 4 min
The walk up three flights
In the dark, on a first Sunday, alone.
DO
Perform · 6 min
Reading the unsigned page
Read aloud, one voice, on the half-hour.
MEET
Convene · monthly
meet

Characters


Walter Sinn
father · 61
W
Walter Sinn
Father. The man at the table. Speak with him.
ONLINE
A
Anne-Sophie Vinet
Daughter. Comes up the dark stair.
REPLY 2H
M
Madame Roulin
Concierge of rue d'Italie.
REPLY 1D
Three are voiced by the author. Six more are open to the readers — write yourself in.
A scene is a query. The world is the answer.
ORI · APARTMENT · v0.3
§ 2 · THE PRIMITIVE

One moment. Six readings.

One scene — a dinner table, eight chairs, a pomegranate, a candle — read through six lenses. The data underneath does not change. Only what gets to leave the room.

03 · LENS SWITCHER · 1200 × 820
PRIMITIVE · THE LENS
One moment. Six readings.
BREAD, FOUR STORIES, AND A POMEGRANATE · OCT 27
SAME DATA · DIFFERENT SURFACE
ACTIVE LENS · Thread
tap a lens to read the moment differently
SSunnyMMiraLLinTTomiBBeckYYukiAAda
Who said what to whom — and what arrived later.
The conversation as a graph. Solid lines are spoken in the room. Dashed are after — texts, intros, the magazine pitch, the playlist.
The novel bit
A dinner doesn't end at midnight; it keeps thinking. The thread lens is how we see that — including the magazine commission Lin gave Mira three weeks later, that started as a sentence Sunny said about her grandmother.
§ 3 · MEET A CHARACTER

Talk to Walter Sinn.

A character from a novel, voiced by the author and the model together. One side is a portrait. The other is a conversation that knows the book — and when it doesn't, says so.

02 · TALK TO WALTER SINN · 1180 × 920
2.7 · meet a character

Walter Sinn

father, 61 — chocolate factory, Oberwil — voiced by the author.
after a portrait by L. Müller, 1998
HERE NOW
Born
1964 · Basel
Lives
Oberwil · the factory above
Speaks
German, French, the dialect of money
Drinks
Dôle. Always Dôle.
Reading
the unsigned page
Open to
letters, dinners, one phone call
write himread his chapterstand at his table
Walter is a fiction. His answers are written by him (the author, in advance) and improvised by the model (within the world he authored). When he doesn't know, he says so.
CONVERSATION
EVENING · 21:42 CET
Walter is at the table by the window. The Dôle is open.
I read the chapter on rue d'Italie last night. Did you ever sign the page?
Walter
Not the way she wanted. I signed something else, later. The page she found was the draft I kept on the table to remind myself I had not.
21:43 · the author has read this
[voice note · 0:11] What was the difference between what she wanted and what you signed?
Walter
Money has a tense. She wanted past — a settling of what was. I signed future, which is the only one I had any business signing. She has not forgiven me for it. She is not wrong.
See chapter 14 · ‘the future tense’.
21:45 · the author has read this
Will you have dinner with my mother and me in Geneva next month? She loved the book.
Walter
Yes. I'd suggest the table at Café du Soleil, the corner one, near the door. I will come for the second course onward — I do not eat soup with strangers.
add to my calendar · Sat 14 Dec, 20:00book Café du Soleil
Walter declines soup in chapters 3, 8, 17. The author has confirmed this dinner.
21:47 · the author has read this
Walter is typing
write to Walter…VOICE · LETTER · IN PERSON
§ 4 · THE PERSONAL LAYER

The shelf.

Every trace you've ever made, as a phone you scroll. 412 this year. A quote pulled at 14:22 from an Esther Perel episode lives next to a sourdough loaf next to a wine label. Threads can be re-opened, scraps lassoed into a board.

04 · THE SHELF · 480 × 1000
YOUR TRACES · 412 THIS YEAR
The shelf
Y
anything you've ever noticed
allthis weekwinebooksoutfitsroomspeoplelines
today · tuesday
quote · esther perel
"we don't have problems with intimacy. we have problems with aftercare."
from · ep. 287 · pulled at 14:22riff · 4 friends
object · sportmax
cropped chocolate jacket
puglia wedding board · 3 in threadboard · open
last weekend
dish · home · sunny's
rye + walnut sourdough · tomi's
bread, four stories, and a pomegranateconvening · public via mira
line · jenny odell · 'rituals'
“the table did not end at midnight; it kept thinking.”
page 142 · borrowed from adaconnected · 2
ori · suggestion
this connects to your “kitchen, slow” thread (june)
2 books, 3 dinners, a voice note from M.ghost
october · 14 days
bibi graetz
wine · €38
chez panisse
menu · sept 4
m's voice note
0:42 · 'about her dad'
the painting
berlin · october
leather binder
hightide · gift
the silence
after mira read
§ 5 · RITUALS · THE CONVENING TABLE

The table kept thinking.

One Sunday dinner in late October, seen now — three weeks later. Threads connecting guests by shared idea. Objects on the table tagged. A time scrubber: BEFORE / DURING / AFTER. The dinner didn't end at midnight. It dispersed. 11 traces, 4 threads, 1 magazine pitch.

05 · THE CONVENING TABLE · t+3w · 1200 × 880
A CONVENING · SUNDAY, LATE OCTOBER
Bread, four stories, and a pomegranate
private · 9 of us
CANDLE · CENTRE╲ TOMI'S LOAF · #RECIPE↗ BIBI GRAETZ · 2021↓ #SYMBOL · ADA'S READING↳ "RITUALS" · JENNY ODELL
S
Sunny
host
aftersent recipe + gave Mira's number
M
Mira
writer
afterwrote 800 words on it
T
Tomi
chef
afterbaked the bread again
E
Eli
painter
Y
Yuki
composer
aftersent a 2-min sketch
A
Ada
archivist
afterpulled the books
M
Mo
gardener
afterbrought herbs back
L
Lin
critic
afterrecommended Mira → mag
B
Beck
sound
aftershared a playlist
SEEN NOW · 3 WEEKS LATER
the table kept thinking
BEFOREDURINGAFTER · 3W11 traces · 4 threads · 1 magazine pitch
§ 6 · THE RIFF · ANNOTATED PODCAST

One episode. Four friends. Eleven traces.

Listening together. Pulled quotes float on the left; live marginalia thread on the right. Voice notes, ghost AI suggestions, connections to chapters read three months ago. The podcast as multiplayer document.

06 · THE RIFF · ANNOTATED PODCAST · 1100 × 780
LISTENING TOGETHER · EP. 287
MJSY
● 4 LISTENING NOW
WHERE SHOULD WE BEGIN? · ESTHER PEREL

A couple, their ghosts, and the dinner that finally let them speak.

48M 12S · PUBLIC EPISODE · 3 FRIENDS, 11 TRACES, 2 RIFFS
AudioRiff
123
00:0012:0324:0636:0948:12
PULLED · 14:22
We don't have problems with intimacy. We have problems with aftercare. Nobody taught us how to be tender once the fight is already over.
— ESTHER, TO THE COUPLE · PULLED BY MAYA
NEXT TRACE · 22:08
“Saying I forgive you is not the same as saying I trust you again. The first is a sentence. The second is a season.”
CONNECTED BY YOU · MARCH
The bell-hooks chapter on rupture & repair — same idea, different generation.
RIFF · THE MARGINALIA
M
Maya14:22 · 7m ago
this is the line. aftercare — i wish i'd had this word last summer.
J
Jonah15:08 · 6m ago
(voice · 0:42) “okay but how is this different from what therapists call repair attempts—”
ORI · GHOST SUGGESTION
Jonah, this overlaps with what you wrote about Gottman in “the four horsemen, revisited” last winter. Pull it in?
pull indismiss
S
Sam22:14 · just now
the season line knocked me sideways. 📍 trace it
Y
Younow
typing…
· trace~ thread⌭ voice riff≈ mark upriff with maya, jonah, sam · open
§ 7 · THE PUBLIC LAYER

What people are inside of.

A feed of authored selves — the worlds people are walking through, the riffs they cut, the friends they convened. No likes. No metrics. The currency is whether you walk in.

07 · NARRATIVE FEED · 1280 × 920
3.1 · narrative feed

What people are inside of.

A feed of authored selves — the worlds people are walking through, the riffs they cut, the friends they convened. No likes. No metrics. The currency is whether you walk in.

A
Anya K. entered Sins of the Father
this morning · Geneva
Walter at the table
“Three flights up in the dark — I made the climb at 6am. He was waiting.” Anya stood in the apartment on rue d'Italie this morning. She is reading chapter 14 with Hugo M. tonight.
walk inread alongsidesend a letter to Walter
H
Hugo M. cut a riff in A Tale for the Time Being
last night
“Time being. Time-being. The sentence stops being a sentence after the second time you read it. It becomes a doorway.”
ANCHORED AT P. 147 · 14 LISTENS · 3 REPLIES IN VOICE
M
Margot V. convened The Convening Table · Liguria
last Saturday
The terrace · 21:00
Eleven at the long table. The thread that ran through dinner was ‘what we do with our parents' silences’.
3 NEW THREADS · 2 PEOPLE COMING TO BERLIN IN MARCH
MPSNA+
O
ORI portrait Pier R. · this season
auto · weekly
Pier this autumn — two novels, one dinner he is still describing, the same coat in nine different rooms.
THE FEED WROTE THIS · PIER APPROVED 2 OF 3 LINES · 1 LINE IS PRIVATE

Currently inside

3.2

A
Anya K.
rue d'Italie · ch. 14
H
Hugo M.
A Tale for the Time Being · p.147
P
Pier R.
Bellevue Palace · suite 412
S
Saoirse F.
En Soie · Strehlgasse
N
Nico A.
Café du Soleil · table 3

Open invitations

3.3

Read ch. 14 with Anya · tonight 22:00
Geneva · voice room · 4 in
Long-table convening · Sunday
Margot · Liguria · 2 seats left
Walk to Café du Soleil · 09:30
Nico · open · 1 seat

The Wall · what just left a room

3.4

aftercarea season, not a sentencethe silent pourthe long way home
§ 8 · YOUR LIFE AS A WORLD

Generate my story.

ORI has been quietly reading your week. The result is not a recap. It is a chapter — a place, a cast, a ritual you didn't know you were performing — that the people you love can walk through. Drafted from your calendar, your reader, your steps, three voice notes.

08 · GENERATE MY STORY · CHAPTER VII · 1300 × 880
4.0 · your life as a world

Generate my story.

ORI has been quietly reading your week. The result is not a recap. It is a chapter — a place, a cast, a ritual you didn't know you were performing — that the people you love can walk through.
DRAFT
auto · sat 16 nov · 11:42

CHAPTER VII OF YOUR YEAR

The week the rain
made you slow
down on purpose.

On Tuesday she walked from the station the long way, past the bakery that opened in October, and arrived nine minutes late to the call with Hugo. The call ran fifty-two minutes longer than it had to because neither of them wanted to be the one who said they had to go. That is the first ritual the system noticed.

By Friday she had walked the long way three times. The bakery had become a place. The second ritual was a kind of attention. She read the same paragraph of A Tale for the Time Being on Tuesday, Wednesday and Thursday morning, in three different cafés, all warm, all quiet, all with one window onto rain.

— drafted from your calendar, your reader, your steps and three voice notes you sent yourself. show the seams.

The cast this chapter

7.1

H
Hugo M.
the long phone call
M
Mama
the silence on Sundays
S
Saoirse
the bakery accomplice
y
you
learning to be late on purpose

The places

7.2

The bakery on rue Mercière
opened Oct · 4 visits this week
The 8:42 train, last carriage
a place you keep choosing
The café with the window onto rain
three mornings · same paragraph

Rituals you didn't name

7.3

The long way home
Tue, Wed, Fri · +9 min average
Reading the same page
p. 92 · 3× · slower each time
The call that doesn't end
Hugo · Tue · +52 min
PUBLISH
Send this chapter to Mama & Hugo, drop ‘the long way home’ into your narrative feed, and open the bakery as a place anyone you love can stand in.
editkeep privatepublish chapter VII →